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Nicholas Balfe's avatar

Dear Christian,

Firstly, thank you for engaging in this discussion. I respect the seriousness of your position, and admire both your intellectual grounding and the weight that your lived experiences carry, particularly your time at Noma and El Bulli.

For transparency, I staged at Relæ twice in 2016 and 2017, and my experience was of a fair and mutually valuable exchange. I gave my time and labour in return for practical skills, technical insight and an inside view of your business and way of thinking. Those weeks remain among the most inspiring of my career.

That said, I was able to exercise agency in a way not everyone can. I was in my thirties with solid experience working in many kitchens, including my own. I could contextualise what I was seeing. I could take paid leave and expense the travel. My circumstances are the exception to the rule.

This is where privilege enters. Agency is not only maturity and knowledge — it is material security. Had I been a younger adult, with no savings and limited professional footing, would the exchange have felt the same? Perhaps. But it is far less certain. That feels worth examining, not to indict, but to understand. Particularly in the context of highly decorated restaurants with a greater reliance on stagieres than your own.

This train of thought raises something practical: is there scope for clearer industry norms around staging — a recognised framework, a shared set of expectations between stagiaire and host, even some form of syllabus or structured educational programme? It may be unrealistic to implement something industry-wide, but this is precisely where 'progressive' industry leaders and business owners should be more proactive. When unpaid or low-paid labour forms part of a business or industry 'system', clearer parameters, responsibilities and educational outcomes should be placed at the forefront.

I realise there are now many exceptions, but historically this structure has been at best informal and at worst non-existent. Without defined standards, the agreement risks becoming ambiguous. That ambiguity is where the critique we are currently experiencing rightly gains force.

There is one further point I feel compelled to raise, although it is uncomfortable.

Lisa has spoken about feeling fear in her workplace at the time. That may be dismissed as her own personal perception, but I don’t think we should rush to do so. As male business leaders in an industry with a documented history of coercive behaviours, we carry responsibility to examine not only intent but impact.

In my own interactions with you, I never felt fear. I felt humble and dare I say honoured, but any exchange we shared felt like it was bound by respect. But I experienced that environment as a confident, established male professional. Would a young woman in her early twenties have felt the same ease within the hierarchy? I don’t know. That uncertainty alone warrants reflection.

Gender inevitably complicates this conversation. Structural inequalities — to borrow the language being debated — can be intensified when viewed through that lens. It intersects with questions of power and agency, however we frame them.

As someone who now hosts stagieres and leads a team, I am conscious that how I behave — especially as a male employer where younger females are concerned — has the potential to shape someone else’s sense of safety and belonging. That awareness feels central to whatever progress our industry makes next.

To be clear: my experiences staging at Relæ and maybe half a dozen other likeminded restaurants are almost entirely positive. I do not view staging as inherently exploitative. But I do believe that as industry leaders, we have a responsibility to formalise the conditions under which opportunity is offered. If we believe in agency, we should ensure the conditions exist for it to be meaningfully exercised.

With respect,

Nicholas

Msalata's avatar

I think this conversation is being distorted by two things: 1. A focus on the very top few restaurants 2. This idea that restaurants “rely on” unpaid internships.

There are thousands of incredible places doing excellent work. You can absolutely use an unpaid internship as a way to get in the door and learn with no prior experience and a great attitude and determined work ethic. This process has proved valuable to many many people including myself. Focusing on the “top” restaurants insures this. Furthermore, I don’t see enough discussion about how much work it takes to host unpaid interns. When I have taken on stages it slows my day down even though it is well worth it to have an educational model and be able to cultivate talent rather than hire talent. If I get a case of chickens in from the farm I can break them down pretty quickly. It takes me at least three times as long to teach and monitor a stage. When they master that task they go on to learn something new and the process repeats itself. Once they’ve done enough of that and there’s an open spot for hire, these are the folks who get the spot. Not to say the system is perfect, no system is, but when it works it’s a beautiful thing.

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